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.... we have time To misrepresent, excuse, deny, Mythify, use this event
NONES
What we know to be not possible,Though time after time foretoldBy wild hermits, by shaman and sybilGibbering in their trances,Or revealed to a child in some chance rhymeLike will and kill, comes to passBefore we realize it: we are surprisedAt the ease and speed of our deedAnd uneasy: It is barely three,Mid-afternoon, yet the bloodOf our sacrifice is alreadyDry on the grass; we are not preparedFor silence so sudden and so soon;The day is too hot, too bright, too still,Too ever, the dead remains too nothing.What shall we do till nightfall?
The wind has dropped and we have lost our public.The faceless many who alwaysCollect when any world is to be wrecked,Blown up, burnt down, cracked open,Felled, sawn in two, hacked through, torn apart,Have all melted away: not oneOf these who in the shade of walls and treesLie sprawled now, calmly sleeping,Harmless as sheep, can remember whyHe shouted or what aboutSo loudly in the sunshine this morning;All if challenged would reply-'It was a monster with one red eye,A crowd that saw him die, not I.-The hangman has gone to wash, the soldiers to eat;We are left alone with our feat.
The Madonna with the green woodpecker,The Madonna of the fig-tree,The Madonna beside the yellow dam,Turn their kind faces from usAnd our projects under construction,Look only in one direction,Fix their gaze on our completed work:Pile-driver, concrete-mixer,Crane and pick-axe wait to be used again,But how can we repeat this?Outliving our act, we stand where we are,As disregarded as someDiscarded artifact of our own,Like torn gloves, rusted kettles,Abandoned branch-lines, worn lop-sidedGrindstones buried in nettles.
This mutilated flesh, our victim,Explains too nakedly, too well,The spell of the asparagus garden,The aim of our chalk-pit game; stamps,Birds' eggs are not the same, behind the wonderOf tow-paths and sunken lanes,Behind the rapture on the spiral stair,We shall always now be awareOf the deed into which they lead, underThe mock chase and mock capture,The racing and tussling and splashing,The panting and the laughter,Be listening for the cry and stillnessTo follow after: whereverThe sun shines, brooks run, books are written,There will also be this death.
Soon cool tramontana will stir the leaves,The shops will re-open at four,The empty blue bus in the empty pink squareFill up and depart: we have timeTo misrepresent, excuse, deny,Mythify, use this eventWhile, under a hotel bed, in prison,Down wrong turnings, its meaningWaits for our lives: sooner than we would chooseBread will melt, water will burn,And the great quell begin, AbaddonSet up his triple gallowsAt our seven gates, fat Belial makeOur wives waltz naked; meanwhileIt would be best to go home, if we have a home,In any case good to rest.
That our dreaming wills may seem to escapeThis dead calm, wander insteadOn knife edges, on black and white squares,Across moss, baize, velvet, boards,Over cracks and hillocks, in mazesOf string and penitent cones,Down granite ramps and damp passages,Through gates that will not relatchAnd doors marked Private, pursued by MoorsAnd watched by latent robbers,To hostile villages at the heads of fjords,To dark chateaux where wind sobsIn the pine-trees and telephones ring,Inviting trouble, to a room,Lit by one weak bulb, where our Double sitsWriting and does not look up.
That, while we are thus away, our own wronged fleshMay work undisturbed, restoringThe order we try to destroy, the rhythmWe spoil out of spite: valves closeAnd open exactly, glands secrete,Vessels contract and expandAt the right moment, essential fluidsFlow to renew exhausted cells,Not knowing quite what has happened, but awedBy death like all the creaturesNow watching this spot, like the hawk looking downWithout blinking, the smug hensPassing close by in their pecking order,The bug whose view is balked by grass.Or the deer who shyly from afarPeer through chinks in the forest.
- from W. H. Auden, HORAE CANONICAE IMMOLATUS VICERIT
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